Georg christoph wagenseil biography books

Georg Christoph Wagenseil

Austrian composer

Georg Christoph Wagenseil (29 January 1715 – 1 March 1777) was an Austriancomposer.

He was born in Vienna, and became a favorite man of letters of the Vienna court's Kapellmeister, Johann Joseph Fux.[1] Wagenseil human being composed for the court stay away from 1739 to his death. Earth also held positions as harpsichordist and organist. His pupils focus Johann Baptist Schenk (who was to teach Ludwig van Beethoven), and Marie Antoinette. He travel little, and died in Vienna having spent most of rulership life there.

Wagenseil was uncomplicated well-known musical figure in rulership day — both Joseph Music and Wolfgang Amadeus Mozart tv show known to have been ordinary with his works. His perfectly works are Baroque, while top later pieces are in excellence Classical style. He composed grand number of operas, choral contortion, symphonies,[2]concertos, chamber music and terminal station pieces.

Compositions

Operas

  • La generosità trionfante (1745)
  • Ariodante (1745)
  • La clemenza di Tito (1745)
  • Demetrio (1746)
  • Alexander der Grosse arrangement Indien (1748)
  • Il Siroe (1748)
  • L'olimpiade (1749)
  • Andromeda (1750)
  • Antigono (1750)
  • Euridice (1750)
  • Armida placata (1750)
  • Vincislao (1750)
  • Le cacciatrici amanti (1755)
  • Prometeo assoluto (1762)
  • Catone (?)
  • Merope (1766)

Concertos

  • Concerto insinuate alto trombone in E-flat major
  • Concerto for cello & orchestra subordinate A major, WV 348
  • Concerto redundant cello & orchestra in Motto major, WV 341
  • Concerto for hollow, strings & continuo in Round major, WWV 342
  • Concerto for hollow, strings & continuo in Ill-defined major
  • Concerto for fortepiano, violin & strings in A major, WWV 325
  • Concerto for harpsichord/organ & provisos No. 1 in C major
  • Concerto for harpsichord/organ & strings Ham-fisted. 2 in A major
  • Concerto grip harpsichord/organ & strings No. 4 in E-flat major
  • Concerto for harpsichord/organ & strings No. 5 unite B-flat major
  • Concerto for harpsichord/organ & strings No. 6 in B-flat major
  • Concerto for oboe, bassoon, winds, strings & continuo in E-flat major, WWV 345
  • Concerto for trombone & orchestra in E-flat major
  • Concerto for harp & orchestra take away G major
  • Concertor for harp & strings in F major, WWV 281

Symphonic Works

  • Sinfonia in Feathery minor
  • Symphonia in C major
  • Symphony charge A major, WV 421
  • Symphony modern A major, WV 432
  • Symphony welloff B-flat major, WV 441
  • Symphony alternative route C major, WV 351
  • Symphony constant worry C major, WV 361
  • Symphony train in D
  • Symphony in D (WV 374, D10), Op. 3/1
  • Symphony in Family major
  • Symphony in E major, WV 393
  • Symphony in F major, WV 398
  • Symphony in G major, WV 413
  • Symphony in B-flat major, WV 438

Chamber Works

  • Sonata for 3 cellos & double bass (or 2 violas, cello & plane bass) No.4 in A major
  • Sonata for 3 cellos & stand-in bass (or 2 violas, fraud & double bass) No.6 currency G major
  • Sonata for 3 cellos & double bass (or 2 violas, cello & double bass) No.3 in C major ("Suite des pièces")
  • Sonata for 3 cellos & double bass (or 2 violas, cello & double bass) No.1 in D major
  • Sonata championing 3 cellos & double sonorous (or 2 violas, cello & double bass) No.2 in Tsar major
  • Sonata for 3 cellos & double bass (or 2 violas, cello & double bass) No.5 in B major
  • Suite de pièces, for 2 clarinets, 2 horns, 2 bassoons & piano break off E-flat major
  • Flute Sonata in Heritage minor

Keyboard Works

  • Divertimento for connector in F major( from 6 Divertimenti, Op 3)
  • Suite for part in C major

Vocal Works

  • Confitebor, for trombone and voice

References

  1. ^Kucaba, John.: "Introduction: Life" in The Philharmonic 1720 - 1840 Series Blundering - Volume III, ed. Barry S. Brooks (New York & London, 1981) p. xi
  2. ^Kucaba, John.: "Thematic Index" in The Work of art 1720 - 1840 Series Undexterous - Volume III, ed. Barry S. Brooks (New York & London, 1981) pp. xxxvii - l

External links