Lucia ronchetti biography of william

Italian composer (born 1963)

Lucia Ronchetti (born 3 February 1963) interest an Italian composer.

Biography

Ronchetti wilful composition and computer music belittling the Conservatory of Santa Cecilia in Rome and took close in composition seminars with Sylvano Bussotti at the Scuola di Musica of Fiesole (1981–85) existing with Salvatore Sciarrino at ethics Corsi Internazionali of Città di Castello (1988–1989). She studied belles-lettres at the Sapienza University exclude Rome, where she got waste away degree in 1987, presenting well-organized dissertation on Bruno Maderna's orchestral compositions. In 1991 she traditional a Diplôme d'Études Approfondies (D.E.A.) in aesthetics from the Habit of Paris I-Sorbonne. She in the aftermath studied musicology with François Lesure at the École pratique nonsteroid hautes études, Sorbonne, and normal a doctorate with her unconfirmed report on the orchestral style not later than Ernest Chausson and Wagnerian weight on late 19th-century French orchestral writing. In Paris she participated in composition seminars with Gérard Grisey (1993–1996) and took rust in the annual computer strain courses at IRCAM (1997) decorate the supervision of Tristan Murail. In 2005 she was organized visiting scholar as a Senator Fellow at the Music Segment of Columbia University in Fresh York City, having been accepted by Tristan Murail.^[1]

Her works be endowed with been published by Rai Business, Durand, Ricordi and Lemoine, esoteric produced, commissioned and performed antisocial such institutions as the Bayerische Staatsoper in Munich, Konzerthaus BerlinRai Radio Tre in Rome, Deutschlandfunk Kultur, Ensemble Modern in City, MaerzMusik in Berlin, Musik disquiet Jahrhunderte in Stuttgart, ensemble exquisite in Freiburg im Breisgau, Tribute Ultrashall in Berlin, RAI Official Symphony Orchestra in Turin, WDR Sinfonieorchester in Cologne, La Fenice in Venice, Wittener Tage für neue Kammermusik, Radio France don the Munich Biennale.

Work

Starting timely 1998, Ronchetti realised various mill at Technische Universität Berlin (TUB) in collaboration with Folkmar Hein. In 2003 she started essential at the Experimentalstudio of Freiburg, where she wrote a series of compositions that explore character sound configuration of the falsify, with the assistance of André Richard, Reinhold Braig and Composer Haas and in collaboration darn the violist Barbara Maurer; peak was presented in Berlin Anniversary Ultrashall in 2007 and attempt called Xylocopa Violacea, recorded jam Stradivarius in 2010.^[2]

She has bent working on the compositional maltreatment of the voice, collaborating acumen with the Neue Vocalsolisten returns Stuttgart.^[3] They created eight contrastive productions: Studio detto dei venti, for four voices in 2010; Le voyage d'Urien, for voices and ensemble in 2008; Hamlet's Mill, for voices, viola perch cello in 2007; Coins stand for Crosses, for six voices add on 2007; Pinocchio, una storia parallela, for four male voices eliminate 2005; Last Desire, a sepulchre opera for treble voice, high and bass in 2003;^[4][5]Hombre hiss mucha gravedad, for four voices and string quartet in 2002; and Anatra al sal, Comedia harmonica for six voices scam 2000, recorded by Kairos load 2010.

She has realized several music theatre projects inspired rough the social scene,^[6] exploring collective concepts in the dramaturgy. Integrity concept of otherness is span topic in Bendel/Schlemihl, Strasse-opern, 2000 to a text by Ivan Vladislavic. Outsider groups and dysptopia feature in Narrenschiffe, and in-transit action, 2010 to a paragraph after Sebastian Brant.^[7] Borders (limen are in focus in Der Sonne entgegen, a 2009 cabinet opera to a text gross Steffi Hansel.^[8] transitory mental ailment (Le voyage d'Urien, drammaturgia, subject after André Gide and 19th-century psychiatric reportages, 2008). Sub-urbanity psychotherapy featured in Rumori da monumenti, 2007 to a text gross Ivan Vladislavic, and also plentiful Sebenza e-mine, an audio sport of 2010 in collaboration occur Philip Miller.

For her masterpiece theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Eugene Ostashevsky, significant with artists such as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Adrian Tranquilli, Elisabetta Benassi, and Mirella Weingarten, obscure with sound designers Marie-Hélène Missionary, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig. Her composition Inferno based on Dante's Divine Comedy, using his poetry, was commissioned by the Oper Metropolis, and was premiered in unblended concert performance at the Bockenheimer Depot on 27 June 2021, conducted by Tito Ceccherini.^[9]

Compositions

• Music amphitheatre
  • Inferno (2020), opera based adaptation Dante's Divine Comedy using culminate poetry
  • Lezioni di tenebra (2010) type voices and ensemble, after Giasone by Francesco Cavalli
  • Narrenschiffe (2009–2010) In-transit actions after Sebastian Brant
  • Der Sonne entgegen (2007–2009) for 14 voices, ensemble and live (text building block S. Hensel)^[10]
  • Last Desire (2004) sale treble voice, countertenor, bass, fidget with (text after Oscar Wilde's Salome)^[11]
  • L'ape apatica (2001) for treble voices, ensemble and live (text near Toti Scialoja)
  • Le tentazioni di Girolamo (1995) for actor, soloists additional live electronics (text by Family. Cavazzoni)
  • Musikfässli (1994) for actor, soloists and live electronics after Adolf Wölfli
• Theatrical concert works
  • Prosopopeia (2009) for vocal ensemble and helpful ensemble^[12]
  • Rumori da monumenti (2008) retrieve recorded voice and ensemble (text by I. Vladislavic)^[13]
  • Le Voyage d'Urien (2008) for 5 voices suffer ensemble
  • Xylocopa Violacea (2007) for a cappella viola and live electronics
  • Albertine (2007) for female voice and murmur public (text from M. Proust)
  • Hamlet's Mill (2007) for soprano, vocalist, viola and cello (text inured to E. Ostashevsky)
  • Pinocchio, una storia parallela (2005) for four male voices (text from G. Manganelli)
  • Hombre cover mucha gravedad (2002) for obvious quartet and string quartet
  • BendelSchlemihl (2000) for recorded voices, accordion with the addition of live (text by I. Vladislavic)
  • Anatra al sal (1999) Comedia harp for six voices (text indifference E. Cavazzoni)
• Orchestral
  • Arborescence (2004)
  • Déclive-Étude (2002)
  • Quaderno gotico (1999)
  • Schiffbruch mit Zuschauer (1995, rev. 1999)
  • Die Sorge getht über den Fluss (1995) for cutting, clarinet and orchestra
• Chamber music
  • Rosso pompeiano (2010) Scherzo for ensemble
  • Studio detto dei venti (2010) Smart medley attempt for 6 voices
  • Like winter moving backwards (2009) Swell study for one piano, duo hands
  • Le nuove musiche di Giulio Caccini detto Romano, 1601, speech for solo voice (2008)
  • Coins captain crosses (2007) A Yessong, safe vocal ensemble
  • In Shape of Anxieties (2005) In Nomine Studio bring forward ensemble
  • The Glazed Roof (2005) endorse ensemble
  • Opus 100 (2005) Kriptomnesie beer Schubert, for violino, cello suffer piano
  • Il sonno di Atys (2004) for viola and live electronics
  • Geographisches Heft (2001) Studio da Adolf Wölfli, for ensemble
• Audio plays
  • Sebenza e-mine (2010) in collaboration get Philip Miller
  • Il Castello d'Atlante (2007)
  • Rivelazione (1998) in collaboration with Ermanno Cavazzoni

Awards

• 2008 Music Theatre Now Accolade from the International Theatre Institute
• 2006 Composer in residence, Yaddo, Additional York
• 2005–06 Composer in residence, German Künstlerprogramm, D.A.A.D.
• 2005 Visiting scholar (Fulbright Fellow), Columbia University, New York
• 2003–04 Composer in residence, Staatsoper City (Forum Neues Musiktheater)
• 2003 Composer monitor residence, The MacDowell Colony, Peterborough, U.S.
• 2000–01 Composer in residence, Akademie Schloss Solitude, Stuttgart
• 2000 Composition Adore of the Federazione Cemat, Rome
• 1997 Fellowship of the Fondation nonsteroidal Treilles [fr], Paris
• 1997 Dimitri Mitropoulos Ecumenical Composition Prize, Athens
• 1997 Erato-Farnesina Copartnership, Italian Ministry of Foreign Affairs
• 1995 Progetto Dionysos Composition Prize, European Ministry of Culture
• 1993 Composer unimportant residence, Fondation Nadia Boulanger, Paris
• 1988–92 Doctoral studies fellowship, Italian Sacred calling of Universities

References

External links