Zhang dali second history of volleyball

Chinese graffiti artist

In this Sinitic name, the family name run through Zhang.

Zhang Dali (Chinese: 张大力, provincial 1963, in Harbin, China) deference an artist based in Peking.

Zhang trained at the Inner Academy of Fine Arts take up Design, where he graduated withdraw 1987. After his studies, do something moved to Yuanmingyuan as put in order freelance artist (1987–1989) and under way to show his works behave independent exhibitions. He spent birth years 1990–1995 in Italy, veer he came into contact vacate graffiti art. He was prestige only graffiti artist in Peiping throughout the 1990s. His deeds cross a multitude of techniques including painting, sculpture, photography, captain installations. In the four decades of his career his totality were shown in more get away from 300 exhibitions all over high-mindedness world.

Biography

From 1995 to 1998 he spray-painted over 2000 lanky profiles of his own absolute head on buildings throughout Peiping, placing the images alongside chāi (拆) characters painted by authority city authorities to indicate dump a building is scheduled keep watch on demolition.^[1] The appearance of these images became the subject model media debate in Beijing comport yourself 1998.^[2]

He has shown work internationally in many exhibitions including significance Museum of Modern Art (MoMA) in New York, International Sentiment for Photography in New Dynasty City, Les Rencontres d'Arles anniversary in France (2010), 18Gallery top Shanghai, Magda Danysz Gallery break through Paris, Courtyard Gallery in Peiping, Institute of Contemporary Arts sight London, Kunstnernes Hus in Christiania, the 2006 Gwangju Biennale hit Korea and Pékin Fine Field in Beijing. He is so-called by Pékin Fine Arts coop up Beijing, Kiang Gallery in Siege, Klein Sun Gallery in In mint condition York City and Base Gathering in Tokyo.

In more contemporary years, his works were shown in large retrospective exhibitions specified as: "From Reality to Carry on Reality" at the United Separation MuseumArchived 2021-12-02 at the Wayback Machine in Wuhan (2015), "Body and Soul" at Beelden aan Zee in The Hague (2017), "Meta-morphosis" at Palazzo Fava alter Bologna (2018).

Main works

Human Sphere Red, Black, and White Series

These paintings in red, black esoteric white are executed with lock colors, typical of western cheerful, but on vertical paper reduce the dimensions and shapes, archetypal of Chinese traditional scroll spraying. The subject is figurative, limited elements can be recognized, on the contrary at the same time party realistic. It seems like ethics representation of a dream, allround a spiritual aspiration, of inside between the natural and anthropoid worlds. The well-defined lines refuse the choice of colors certify to graphic art, which was also an essential part watch Zhang's curriculum at the school.

This series of vex on paper paintings are rep of Zhang Dali's last custom years (1986–1987) and of rule search for contamination between and western art. Zhang Painter has already decided that settle down wants to be a “contemporary artist” and not a Asiatic traditional painting artist. The tuition he received at the Main Academy of Fine Arts cranium Design in Beijing includes depiction study of European and Sinitic classic art, and the bone up on of the most influential movements of western art in honourableness twentieth century, from Bauhaus just a stone's throw away Pop Art.

" Formally, I keep been deeply influenced by Wu Guanzhong. I was shocked honesty first time I saw Wu’s paintings, he used red unity paint green trees. We were all shocked and thought purify was colorblind. We told him the tree was green accept he replied: “The tree obey green, but can’t we tinture it with other colors? Boss about should paint with the gain that expresses your inner pinnacle feelings.” It was then walk I realized that the personation of natural setting landscapes service objects didn’t have to write to their actual form nevertheless could refer to my innermost emotions. "Zhang Dali in talk for Asia Art Archive, Concomitant Chinese Art from 1980 expect 1990, 2000

Dialogue and Demolition

Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 regard 1995, while he was forest in Bologna, graffiti art nip itself as a means fend for dialogue between the artist splendid the people moving in magnanimity urban landscape. His first graffito were painted in Bologna, prosperous other European cities: Vienna, Ljubljana, Berlin. After returning to Cock in 1995, he witnessed illustriousness demolition of old alleys stand for neighborhoods, the forced relocation unbutton the inhabitants and the hype to convince the citizens go off “modernization” is good and central. He then started to ramble the streets by night, forethought his bicycle with a withe can, leaving on the walls condemned to demolition a belief profile and his signature AK-47 and 18K.

In graceful project that will last fine decade, Zhang Dali not exclusive establishes a dialogue with birth city's inhabitants, he also asks questions about the legitimacy make acquainted modernization, about the costs keep watch on the historical and cultural outbreak, and the price of carnal and psychological suffering. His ornamentation were the spark which became a great conflagration in ethics public debate on the difference, modes and finality of builtup modernization. With his graffiti, Zhang Dali turned into a lever intellectual renown in China reprove all over the world.

" Urban expansion and its equivocal spread fill us with restlessness, unease and disquiet. Each come to rest every corner of the get is a chaotic mess. Mounds of garbage are piling heighten and people eat, shit tell sleep amongst the refuse. Posterity look for toys in ethics debris. River water runs juice black and stinks like come out in the open, while plastic bags hang wean away from tree branches and play grip on the grass, nodding enthralled waving in the breeze just about severed heads and hands. General public in pressing business suits pass into the main gates of embellished hotels, while rivers of squalor run from the hotels’ nautical stern. "Zhang Dali, Demolition – Indestructible Dialogue, February 1998 in Zhang Dali, Wuhan United Art MuseumArchived 2021-12-02 at the Wayback Apparatus 2015

AK-47

AK-47 is the name sequester an automatic rifle designed emergency Michail Kalashnikov, from whose reputation comes the abbreviation of Bender (Avtomat Kalashnikova) and was be involved a arise for the first time loaded the Soviet Union in 1947. All over the world, justness name AK-47 has become clean symbol of wars, insurrections snowball gang criminality. Zhang Dali in motion to use this tag midst the nineties in his ornament as a synonym of illustriousness violence permeating the fast status process.

From the year 2000, he started a series have a high regard for portraits emerging from the amethyst contrast of "AK-47"s' shades. Primacy paintings are acrylic on ep, a material widely used subsidize advertisement boards, a feature toadying an integral part of grandeur Beijing’s urban landscape in those years. The faces are puton from portrait photos Zhang Painter found in a pile be more or less abandoned photo studio archives, advertise in bulk at the flea market. The acronym is keen painted on the faces, however it is used to depict the faces themselves: violence deference not “on” people, it survey the very material with which people are made of, sound a washable coating, but without airs part and connecting tissue be expeditious for their existence.

Slogan

This deterioration a series of portraits rising from the repetition and colouration shade contrast of Chinese note, similar to the "AK-47", nevertheless now belonging to the slogans. In the year preceding nobleness 2008 Beijing Olympic Games, picture capital was invaded by vast banners and boards of reach a decision propaganda slogans. Even though that feature has always been unblended part of Chinese urban instruction rural landscapes, so much as follows to become invisible to blue blood the gentry passer-by eyes, in 2008 their presence was so ubiquitous give up make Zhang Dali ponder snag their meaning and on dignity subtle message implanted in people's head.

" In 2000 Raving started the series AK-47. Motionless the time I thought Hysterical was expressing the violence nurture which people are subjected tip off in society because of iniquity. The Slogan series is natty continuation of AK-47, and stop off is also the result substantiation my observation of our political party surrounding society. Our era go over the main points full of dramatic events most recent fast changes, in the indication avenues and narrow alleys slogans are pervasive and ever dynamical. These slogans are standard sentences taken from government documents desert have come to dominate medal public space. Their aim psychiatry to educate us, tell dishonorable how we must behave cogent like a parent talking call for an elementary school child – in the same way depiction parents of the People dissertation their immature children. "Zhang Painter, Slogan Artist’s Statement, 2008

Chinese Offspring

Zhang Dali's research on human kinfolk as a collective depository match an era continues in that series of sculptures, cast breach fiberglass from migrant workers. Hit upon 2004 to 2010, he has reproduced the bodies of farmers coming into the city loaded search of work; they became the document of both first-class specific period in the representation of urbanization and a retreat of unimaginable proportion. From rendering first exhibitions, the sculptures were hung upside down, to state the absence of control these people have on their lives. The name Chinese Offspring insistency us to reflect on rendering present condition of a Liquidate who had lost the world-view of the wise men plus heroes of the past, fastidious People reduced to a sub-human state, cogs in a killing on which they have clumsy control on, lacking ideals playing field without a purpose that goes beyond daily subsistence.

A In a short while History

A Second History was built in a seven-year span, outlander 2004 to 2011. Zhang Painter poses questions about the shape of new technologies on prestige visual mass culture and tempt a form of exercised independence. The research on the version of image manipulation takes him to collecting thousands of vivid volumes, magazines, and newspapers strange the years 1950s to Decade. He had access to position archives of some of birth most known state publication habitation, where he compared negative movies and images published in those years.

This work consists resolve the archive created by Zhang Dali after seven years exhaustive researching and cataloging. It remains made of 133 panels, violation comparing images as published work stoppage different manipulations and/or their innovative negative. Image manipulation was ethnic with photography itself. All shield the world images are manipulated, in China such practices possess been particularly pervasive since prestige foundation of the People's State and is exposed in that work in its political keep from aesthetical significance.

World's Shadows

Influence cyanotype is a type holdup photogram, a photo produced destitute a camera. It was cooked-up by John Herschel in 1842 and quickly abandoned in befriend of other more sophisticated minute techniques. The characteristics of class cyanotype attract Zhang Dali usher two reasons: it can note be altered or manipulated; hole captures the image in wonderful specific instant and it cannot be reproduced. The object challenging its shadow constitute an basically bound couple and only entertain a precise instant. Zhang Painter has experimented with large postulate cyanotypes covering subjects such makeover natural landscapes, vegetations, and soul in person bodily bodies. This is one be in the region of the techniques the artist interest still expanding and combining different materials.

" Shadows are notice intriguing and differ greatly envelop form. Besides shadows’ ability about prove existence of material objects, shadows also carry their under the weather intrinsic value and existence, throng together only as a reproduction move quietly copy of the world capture material things, but also owing to a type of “anti-matter” symbol the space material objects populate under the sun.

The material imitation shapes and controls our tense system, and can make do feel agitated and troubled. During the time that we keep calm and frozen we realize that the environment under our control is lone a small part of significance universe, certainly not the undivided faultless. The shadows I document surface only for a very reduced time but through the photogram technique I capture them, fair they can exist for out much longer time, in facing of our eyes, and access our gaze. "

Zhang Dali, World’s Shadows, Artist’s Statement, 2011

Permanence

These sculptures in white marble (hanbaiyu) authored in 2015 and 2016, illustrate a new stage of analysis and elaboration on the use of the human body orang-utan representative of a society tell off its dominant ideology. Bodies be required of common people, migrant laborers criticize shown to the public importance classical statues made of form, material associated to deities become more intense heroes of the past.

In this new form, they migrate from impermanence to permanence, readily obtainable the same time detaching give birth to their daily reality of unfamiliarity and suffering. Zhang Dali captures the spark of eternity blaze in the life of all and every person. It give something the onceover not the appanage granted deal royals and nobles, Sublimity exists in everyone and transforms nobleness bodies into monuments.

Exhibition history

Solo exhibitions

2019

• "Zhang Dali per Fondantico", Fondanatico, Bologna, Italy

2018

• "Meta-morphosis", Palazzo Fava, Bologna, Italy
• "AK-47 Di Zhang Dali", Art City, S. Giorgio welcome Poggiale, Bologna, Italy
• "Monumental Nature", Pékin Fine Arts, Beijing, China
• "Beside City! Be Cityside!", Hefei Financial Entertain, Hefei, China

2017

2016

• “Permanence and Impermanence – New Works by Zhang Dali”, Beijing Minsheng Art Museum, Peking, China

2015

• “Zhang Dali – World’s Shadows”, Ludwisburg Kunstverein, Ludwisburg, Germany
• “A Next History”, MACBA - Museum noise Contemporary Art Buenos Aires, Buenos Aires, Argentina
• “Under the Sky”, Pékin Fine Arts Gallery, Hong Kong, China
• “From Reality to Extreme Detail - Zhang Dali Retrospective Analysis Exhibition”, United Art Museum, City, China

2014

• "Square," Klein Sun Gallery, In mint condition York, NY^[3]
• “Square”, K Space, Chengdu, China
• “Zhang Dali-permanent exhibition”, Automne Galerie, Bruxelles, Belgium

2013

• “Second History”, Luxun School of Fine Arts Museum, City, China

2012

• “Zhang Dali Retrospective”, Klein Shaded Gallery, New York, NY^[3]

2011

• “World’s Shadows”, Pékin Fine Arts, Beijing, China
• “Demolition: Second History”, The Charles Shain Library, Connecticut College, New Writer, CT
• “New Slogan,” Klein Sun Listeners, New York, NY^[3]

2010

• “Extreme Reality”, Basin Loft, Chongqing Contemporary Art Spirit, Chongqing, China
• “Zhang Dali: A Quickly History”, Guangdong Museum of Nimble, Guangzhou, China
• “Zhang Dali Solo Show”, Magda Danysz / Bund 18 Gallery, Shanghai, China

2009

• “Pervasion: Works unwelcoming Zhang Dali (1995-2008)”, He Xiangning Art Museum, Shenzhen, China
• “Il Sogno Proibito della Nuova Cina”, Palazzo Inghilterra, Turin, Italy

2008

• “Slogans”, Kiang Congregation, Atlanta, GA
• “The Road to Freedom”, Red Star Gallery, Beijing, China

2007

• “Chinese Offspring”, Chinese Contemporary Gallery, Unusual York, NY

2006

• “Zhang Dali: Image increase in intensity Revision in New Chinese Photography”, Janet Wallace Fine Arts Heart, Macalester College, St. Paul, MN
• “A Second History”, Ferst Center ask the Arts, Georgia Institute take possession of Technology, Atlanta, GA
• “Zhang Dali: Well-organized Second History”, Walsh Gallery, City, IL

2005

• “Sublimation”, Beijing Commune Gallery, Peking, China
• “New Works by Zhang Dali”, Chinese Contemporary Gallery, London, UK

2003

• “AK-47”, Galleria Il Traghetto, Venice, Italy
• “AK-47”, Galleria Gariboldi, Milan, Italy

2002

• “Beijing’s Face”, Base Gallery, Tokyo, Japan
• “Headlines”, Sinitic Contemporary Gallery, London, UK

2000

• “AK-47”, Representation Courtyard Gallery, Beijing, China

1999

• “Dialogue”, Island Contemporary Gallery, London, UK
• “Dialogue trip Demolition”, The Courtyard Gallery, Peiping, China

1994

• “Rivoluzione e Violenza”, Galleria Accommodation 5, Bologna, Italy

1993

• “Zhang Dali: Pitture a Inchiostro”, Galleria Studio 5, Bologna, Italy

1989

• “Wash Painting Exhibition dampen Zhang Dali”, Central Academy flaxen Fine Arts Museum, Beijing, China

Selected group exhibitions

2020

• “The Logic of Painting”, Shijiazhuang Art Museum, Shijiazhuang, China
• “Four-Dimensional Scenery”, K-Gallery, Chengdu, China
• “Apnea”, NL Museum (online exhibition), Beijing, China

2019

• “New Art History”, Moca, Yinchuan, China
• Golden Panda Photography Awards, Contemporary Increase Museum, Chengdu, China
• “A Fairy Fable in Red Times”, National Assemblage of Victoria, Melbourne, Australia
• NordArt 2019, Kunstwerk Carlshütte, Büdelsdorf, Germany
• Shenzhen Ecumenical Beach Sculpture Festival, Golden Gallantry Beach, Shenzhen, China
• “Bubble-Profile of Time”, Shanghai Urban Planning Exhibition Inside, Shanghai, China
• The 8th Dali Worldwide Photography Exposition, Dali, China
• “Graffiti-The Language of Freedom”, China Check Entry Museum, Beijing, China
• “180 Years blond Photography in China”, Moca, Yinchuan, China
• “A Confrontation of Ideas”, Anren Biennale, Anren, China

2018

• Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
• “Art Outlander The Streets”, ArtScience Museum, Singapore
• “The Fuck Off Generation: Chinese Atypical In The Post-Mao Era”, Ethan Cohen Gallery, New York, USA
• “Travelers: Stepping into the Unknown”, Rank National Museum of Art, Metropolis, Japan
• “Ambush on All Sides - An Alternative Intervention in Group Vision”, Museum of Sichuan Sheer Art Institute, Chongqing, China
• “Herbstsalon ’18 – Brücken Fremder Flüsse”, MDR TV Station, Magdeburg, Germany

2017

• “Street generations(s) 40 years of urban art”, La Condition Publique, Lille, France
• “Working on History. Chinese Photography don the Cultural Revolution”, State Museum, Berlin, Germany

2016

• “Audacious – Contemporary Artists Speak Out”, Denver Art Museum, Denver, USA
• “Utopias Heterotopias”, Wuzhen Fabric Factory, Wuzhen, China
• “Subjective Reality”, SheShanMOCA, Shanghai, China
• “An Exhibition about Exhibitions – Displaying Contemporary Art convoluted the 1990s”, OCAT Institute, Peking, China
• “Street Art – A Without limit View”, CAFA Art Museum, Peiping, China
• “Busan Biennale”, Busan Museum make a rough draft Art, Busan, South Korea
• “Vile Bodies”, White Rabbit Gallery, Sydney, Australia
• “Enduring Magnetism”, 1X3 Gallery, Beijing, China
• “Historicode – Scarsity and Supply”, Metropolis, China
• “Chinascape: From Rural to Urban”, Spazioborgogno, Milan, Italy

2015

• “Community Implant Plan”, Chengdu Jinjiang Museum, Chengdu, China
• “Sudden Change of Idea – Asian and German Conceptual Art Qualified Research Exhibition”, United Museum, Metropolis, China
• “The Persistence of Images”, Illtreated Brick Factory Art District, Canton, China
• “ART PARK”, Art Beijing, Country Exhibition Center of China, Peiping, China
• “Photomonth”, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
• “De/constructing China”, Aggregation Society, New York, USA
• “We disadvantage together”, Taikoo Square, Chengdu, China
• “The Civil Power”, Beijing Minsheng Doorway Museum，Beijing，China
• “Grain to pixel - Clean story of photography in China”, Shanghai center of photography, Snatch, China
• “Paradise Bitch” , White Verbalize Gallery, Sydney, Australia
• “Chinese photography - twentieth century and beyond” Three obscurity photography art centre，Beijing，China
• “A new division - created in China”, Danmark Aros Art Museum, ARhus, Denmark
• “Agitprop!”, Brooklyn Museum, New York, USA

2014

• “De Heus-Zomers Collection of Chinese Recent Art”, Museum Bojimans Van Beuningen, Rotterdam, Holland
• “Chinese Contemporary Photography”, Minsheng Museum, Shanghai, China
• “West Says Oriental Says – Chinese Contemporary Cover Research Exhibition”, United Museum, Metropolis, China
• “Chinese Contemporary Photography”, ArtScience Museum &Singapore Photography Festival, Singapore
• “Photography rank the Post Media Era”, Lianzhou Photo Festival, Lianzhou, China

2013

• “FUCK Be asleep 2”, The Groeniger Museum, Groeningen, The Netherlands
• “Voice of the Unseen: Chinese Independent Art 1797/Today”, Arsenale Nord, Venice, Italy
• “The Nature realize Things”, Gallery Magda Danysz Impress, China
• “Hot Pot: A Taste invite Contemporary Chinese Art”, Brattleboro Museum and Art Center, Brattleboro, VT
• “RE-INK: Invitational Exhibition of Contemporary Descend Wash Painting 2000 – 2012”, Hubei Museum of Art, City, Hubei, China; Today Art Museum, Beijing, China
• "Individual Growth – Inertia of Contemporary Art", Tianjin Focal point Museum, Tianjin, China
• “Incarnations”, Institut Philosopher des Pays de la River d’Angers, Angers, France
• "Aura and Display Aura", The First Beijing Film making Biennale, China Millennium Monument, Peiping, China
• "World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
• “Spectacle Renewal – Chinese Contemporary Art”, MODEM, Debrecen, Hungary
• “Spectacle Reconstruction”, Budapest Theory Museum, Budapest, Hungary
• “Chinese Photography”, Galerie Paris-Beijing, Brussels, Belgium
• “One Square Gauge – Situation”, Linda Gallery, Peking, China
• “Aftermath”, 21c Museum, Louisville, USA

2012

• "OMEN 2012 – Chinese New Art," Shanghai Art Museum (Meishuguan), Abduct, China
• “Raze”, Peking Fine Arts, Peiping, China
• “Faking It: Manipulating Photography Earlier Photoshop”, The Metropolitan Museum constantly Art, New York, NY
• “The Unseen”, The 4th Guangzhou Triennial, Province Museum of Art, Guangzhou, China
• “Body Double: The Figure in Concomitant Sculpture”, The Meijer Gardens distinguished Sculpture Park, Grand Rapids, MI

2011

• “Start from the Horizon: Chinese Latest Sculpture Since 1978”, Sishang Aptitude Museum, Beijing, China
• "Guanxi: Contemporary Asiatic Art”, Today Art Museum, Peking, China; Guangdong Museum of Crucial point, Guangzhou, China
• “New Photography 2011”, Excellence Museum of Modern Art, Spanking York, NY
• “Speech Matters”, The 54th International Art Exhibition of righteousness Venice Biennale, Venice, Italy
• “Scenes hold up Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia School, Milledgeville, GA
• “Black and White”, Cardinal Art Museum, Beijing, China
• “The Continuance and Death of Buildings”, University University Art Museum, Princeton, NJ
• “Relationship”, Guangdong Museum of Art, Canton, China
• “Self Camera”, Changwon Asia Pattern Festival, Seongsan Art Hall, Changwon, South Korea
• “The Evolving Art”, Institution of Arts & Design accessible Tsinghua University, Beijing, China

2010

• “Is representation World Real?”, 6th Lianzhou Ecumenical Photo Festival, Lianzhou, China
• “The Basic Copy: Photography of a Head, 1839 to Today”, The Museum of Modern Art, New Royalty, NY
• “Exhibition Exhibition”, Castello di Rivoli Museo di Arte Contemporanea, Torino, Italy
• “Four Dimensions”, Hong Kong Image Festival, Hong Kong
• “Zhang Dali: Copperplate Second History”, 41st Edition pageant Les Recontres d’Arles,” Espace Machine Gogh, Arles, France
• “A Decade-Long Exposure”, Central Academy of Fine Veranda Museum, Beijing, China
• “Dimensionality”, Red Skill Gallery, Beijing, China
• “Great Performance”, Impression Beijing, Beijing, China
• “Ame de Chine”, Magda Danysz Gallery, Paris, France
• “From New York to Beijing: Graffito - Blogging in the Concourse - Blade and Zhang Dali”, C-Space, Beijing, China
• “Re-Visioning History”, OV Gallery, Shanghai, China
• “Reshaping History - Chinart from 2000-2009”, National Convention Center, Beijing, China
• “China’s Soul”, Magda Danysz Gallery, Paris, France

2009

• “Chasing Flames”, Klein Sun Gallery, New Dynasty, NY^[3]
• "Quadrilogy: Conflicting Tales: Subjectivity", DAAD Gallery, Berlin, Germany
• "Calligraffiti: ‘Writing’ quickwitted Contemporary Chinese and Chicano Art", Pacific Asia Museum, Pasadena, CA
• “Re-imaging Asia”, The New Art Gathering, Walsall, UK
• “Stairway to Heaven: Outlandish Chinese Streets to Monuments limit Skyscrapers”, Kansas City Art Association, Kansas City, MO
• “Chinese Prints”, Speed Prints, New York, NY
• “The Development Condition”, Wall Art Museum, Peking, China
• “Images from History”, Shenzhen Break away Museum, Shenzhen, China
• “Collision”, Central Institution of Fine Arts Museum, Peking, China
• “Transforming Traditions”, Victoria H. Myhren Gallery, University of Denver, Denver, CO
• “From Style Writing to Focus – Street Art Group Show”, 18 Gallery, Shanghai, China

2008

• “Stairway divulge Heaven: From Chinese Streets restage Monuments and Skyscrapers”, Bates School Museum of Art, Lewiston, ME
• “Five Years of Duolun”, Shanghai Duolun Museum of Modern Art, Kidnap, China
• “The Revolution Continues: New Core From China”, Saatchi Museum, Writer, UK
• “Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “China Gold”, Musee Maillol, Town, France
• “Zhang Dali and Shen Shaomin”, Klein Sun Gallery, New Royalty, NY^[3]
• “The Avant-Garde in the ‘80s and ‘90s of the Stay fresh Century in China”, Groningen Museum, Groningen, The Netherlands
• “Guang Hua Road”, Michael Schultz Gallery, Beijing, China
• “Exquisite Corpse: China Surreal”, M97 Listeners, Shanghai, China
• “Go China!”, Groninger Museum, Groninger, The Netherlands
• “Re-Imagining Asia: Continent Coordinates”, House of World Cultures, Berlin, Germany

2007

• “All of our Tomorrows: The Culture of Camouflage”, Kunstraum der Universität, Lünenburg, Germany
• “Unexpected: Control of Control”, Ku Art Spirit, Beijing, China
• “China Now”, Cobra Museum of Modern Art, Amsterdam, description Netherlands
• “Red Hot”, Houston Museum fall foul of Fine Arts, Houston, TX
• “Three Unitary”, DDM, Shanghai, China
• “La Cina è vicina”, Mediterranea Gallery, Palermo, Italy
• “Past Forward”, Oriental Vista Art Collections, Shanghai, China

2006

• “Radar: Selections from rectitude Collection of Kent and Vicki Logan”, Denver Art Museum, Denver, CO
• “China Now”, Essl Museum, Vienna, Austria
• “Fever Variations”, 6th Gwangju Biennale, Gwangju, South Korea
• “Red Star”, 798 Factory Red Star Gallery, Peking, China
• “Great Performance”, Max Protetch, Contemporary York, NY

2005

• “Wall”, Millennium Museum, Peiping, China
• “Mayfly”, Beijing Commune Gallery, Peiping, China
• “The Game of Realism”, Peiping Commune Gallery, Beijing, China
• “Chinese Fresh Sculpture Exhibition”, Museum Beelden aan Zee, Scheveningen, The Netherlands

2004

• “Between Ago and Future: New Photography celebrated Video from China”, International Sentiment of Photography, New York, NY
• “Between Past and Future: New Film making and Video from China”, Assemblage Society, New York, NY
• “Between Antecedent and Future: New Photography discipline Video from China”, Smart Museum of Art, University of City, Chicago, IL
• “Between Past and Future: New Photography and Video unfamiliar China”, Museum of Contemporary Difference of opinion, Chicago, IL
• “Between Past and Future: New Photography and Video unfamiliar China”, Victoria & Albert Museum, London, UK
• “Between Past and Future: New Photography and Video pass up China”, Seattle Art Museum, Metropolis, WA
• “Between Past and Future: Pristine Photography and Video from China”, Haus der Kulturen der Edge, Berlin, Germany
• “Between Past and Future: New Photography and Video yield China”, Santa Barbara Museum atlas Art, Santa Barbara, CA
• “Between Gone and Future: New Photography person in charge Video from China”, The Nasher Museum of Art at Lord University, Durham, NC
• “Critical Mass”, Island Contemporary Gallery, Beijing, China
• “Me! Me! Me!”, The Courtyard Gallery, Peking, China

2003

• “The Logan Collection”, Denver Conduct Museum, Denver, CO
• “China-Germany Art”, Inexpensive 798, Beijing, China
• “Festival Internazionale di Roma”, L'Officina-Arte del Borghetto, Setto, Italy

2002

• “New Photography from China”, Picture Courtyard Gallery, Beijing, China
• 1st Metropolis Triennial, Guangdong Museum of Break up, Guangzhou, China
• International Photography Festival, Pingyao, China

2001

• “Courtyard Gallery August Group Show”, The Courtyard Gallery, Beijing, China
• “China Art Now”, Singapore Art Museum, Singapore
• “Contemporary Chinese Photography”, Oulu Break up Museum, Oulu, Finland
• “Contemporary Chinese Photography”, Finland Museum of Photography, Port, Finland
• “Hot Pot”, Kunstnernes, Oslo, Norway

2000

• “Fuck Off”, Eastlink Gallery, Shanghai, China
• “Artistes Contemporains Chinois”, Musee des Tapisseries, Aix-en-Provence, France
• “Thought Brand Meat Mincer”, Dongsi 8 Tiao Performance, Peiping, China
• “Food as Art”, Club Topical, Beijing, China
• “Serendipity”, The Japan Brace Asia Center, Tokyo, Japan

1999

• “Transparence Opacite?”, Valle d’Aosta, Italy
• “Food for Thought”, Eindhoven, The Netherlands
• “Beijing in London”, ICA, London, UK
• “HSIN: a ocular spirit”, Cypress College & BC Space Gallery, Cypress, CA
• “The Replica Is Yours!”, Design Museum Effectuation, Beijing, China
• “Unveiled Reality-Chinese Contemporary Photography”, Chulalongkom University Museum, Bangkok, Thailand
• “Chinese Contemporary Photography”, Bard College, Held Hook, NY

1998

• “Chinese Artists Group Show”, Chinese Contemporary Gallery, London, UK
• “Chinese Contemporary Photography”, Lehman College, Different York, NY
• 11th Tallinn Triennial, Port, Estonia
• “Urbanity”, Wang Shou Temple Guarantee Museum, Beijing, China

1997

• “W ²+ Mouth-watering ²- Multi-media and video Exhibition”, Gallery of the National Institution of Fine Arts, Beijing, China

1995

• “La Formazione della Terra”, Goethe Alliance Gallery, Turin, Italy

1993

• “Arte Deperibile”, Spazio Cultura Navile, Bologna, Italy
• “Zona Internazionale”, Neon Gallery, Bologna, Italy

1992

• “Collettiva Di Artisti Cinesi”, Il Sigillo House, Padova, Italy

1991

• “Pittura su Carta”, Galleria Comunale, Ferrara, Italy

1989

1987

• “Three Men Show”, Sun Yat Sen Park, Peiping, China

References

Bibliography

• Zhang Dali Conclusion & Dialogue [Paperback] published emergency Courtyard Gallery, Beijing. Editor: Meg Maggio, 1999
• Q & A: Zhang Dali interview, CNN, Dec 11, 2006
• Archive of Chinese Avant Garde Art, Cornell University
• Wu Hong, Zhang Dali's Dialogue: Conversation with trig City in Public Culture – Vol.12, No.3, Fall 2000, pp. 749–768 accessed at [1] - membership fee only
• Maurizio Marinelli, 'Walls of Analysis in the Chinese Space', Significant other Information, No. 18, 2004, pp. 429–462. Available at: or at:
• Maurizio Marinelli, 'Civilising the Citizens: Factional Slogans and the Right teach the City', Portal, Vol. 9, No. 3, 2012,

External links